‘Le Grand Roc, Les Eyzies’
Oil on Canvas
86,5 x 76 cm ; 34 x 30 inches
© The Artist.
email me for details about how to buy

wip = work in progress

These great rock faces … huge cliffs …. they mark one ……… working on this slow large painting, over the last few days, staring long at the cliff faces, they impression. I can see the sense in theory that the cave paintings were ‘found’ in the rock faces, that the morphology of the stone inspired my comarade-artists. Rosarch ink blots. Even Leonardo said that staring at moldy stains on a wall stimulates craeivity & visions.
At the base of this cliff was a Magadelian settlement, circa 15 000 – 10 000 Before Present (1950). They must have known the anatomy of their home, been intimate with the guardian that loomed above them, & saw it no doubt in a protective manner. ‘Home’.
This is a fundamentally wild landscape, though there is a genteel 19th century planting of conifers & terraces, almost ‘à la Chinoise’. I like this curious meeting of epochs & styles of landscapes.

La Gravette, Dordogne

oil painting of cliffs, couze valley , gravette

‘La Maison Trogoldyte’
Oil on Canvas
8 paysage (46 x 33 cm ; 18,2 x 13 inches)
© The Artist.
300 euros.

La Gravette, Dordogne

This is an old stone house built into a cliff face, ‘une maison souterraine’ (literally a subterrian house), which I guess is a better real estate address than ‘une maison troglodyte’ (a troglodyte’s house).It’s the next cliff face on from that of La Gravette in the Couze valley. Périgord (which is more or less the Dordogne) was densely populated in prehistoric times. La Gravette was the archaeological site that gave the name to The Gravettian Period (of human history, which spans some 7000 years, between 28 000 and 21 000 years ago. It was a warm period between the two ice ages, but all the same, life huddled up against this south-west facing rock face must have been very different from modern comfort. Fire was important these hunter-gathers & “remarkably the first fired objects were not pots, but figurines (mostly carnivores) & humans (mostly women)” – Prehistoric Art by Randall White, Pub. Abrams, 2003 .

‘Venus de Monpazier’
Green Steatite carving
discovered 1970

The above is the ‘Venus of Monpazier’ which is winy, small venus, found not far La Gravette. About 25 kilometres away (a day’s walk). In an open ploughed field. I talked to the man who discovered her. Apparently, he was just out walking. Upon finding her, he fell in love with ‘archeology’ & history. You can see a replica of her in L’Atelier des Bastides, Monpazier.
You can read more about her in Jean Clottes – Voyage en Préhistoire. Editeur: La Maison des Roches.

Other great achievements of this period was much body ornamentation & great ingenuity in making flint tools (I once found a solutrean spearhead lying on the ground, on the surface, right besides my foot, once whilst out painting. As it wasn’t from a acheological layer & had come to o the surface, it didn’t have much value as evidence).

What I like about many of the prehistoric sites in Périgord is that they are still inhabited to this day. 28 000 years of continued settlement. Some changes like the chickens picking away in the foreground & the pruning of the fruit trees (The Gravettian was pre-agriculture) , the odd bit of metal (stone age not metal age), a square window, some faced stone (though I bet they spread hides down from the cliff face in the same manner as this roof), but other than that, not much change. Sometimes, whilst painting quietly in these places, I imagine I can feel the continuity. Maybe there’s a need to reconnect with our sources in our modern, contemporary period, when there is much anxiety about man’s impact on the planet?

 


‘L’Abri Prehistorique 2″ 2001
Aquarelle.
40*30cm.
Copyright- the artist.
SOLD

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