‘Vivienne at Lanquais’
Cathy Gatland
watercolour
40 x 25 cm

‘ Palette layout Diagram – with Painters Tea-Break insert’ Cathy Gatland
A5 Sketchbook

Cathy Gatland link to Blog – A Sketch in Time

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YOU ARE INVITED TO PARTICIPATE IN AN INTERNET COLLABORATIVE PROJECT….

Paintings of Painters Painting : Drawings of Draughts-Persons Drawing

All levels welcome, from genius to absolute beginner.

I thought it might be fun to gather together a few of the images from ‘Le Musée Imaginaire’ (André Malraux). Images of paintings of painters painting or drawings of draughts-persons drawing. Painting holidays or painting workshops are great occasions to practice this subject.

Do you have an artwork of this type of subject? I’m going to create a static web page for these when I’ve done a ’round-up’. If you’d like to be included, why not send me a web-ready image (72 dpi – 500 pixels largest dimension) (to me at blog365-at-artists-atelier.com), and I’ll include it. Don’t forget to tell me your URL if you want a backlink. It could be fun to get all these images together. Pourquoi pas?

All levels welcome. Preferably your own work. Ongoing Project. Please spread the word & pass on the invitation! Everyone welcome.

 

YOU ARE INVITED TO PARTICIPATE IN AN INTERNET COLLABORATIVE PROJECT…. Following on from a previous post Painters, Draughts-Persons & The Educative Value of Demonstrations I thought it’d be fun to gather a few of the images from ‘Le Musée Imagainaire’ (André Malraux). Images of paintings of painters painting or drawings of draughts-persons drawing. All levels, from genius to absolute beginner. Painting holidays or painting workshops are great occasions to practice this subject. Do you have an artwork of this type of subject? I’m going to create a static web page for these when I’ve done a ’round-up’. If you’d like to be included, why not send me a web-ready image (72 dpi 500 pixels largest dimension – please don’t jam up my letterbox with heavy files!!), and I’ll include it. It could be fun to get all these images together. Pourquoi pas? All levels welcome. Preferably your own work. Ongoing project – no deadline. Please spread the word & invite your friends.

 

‘The Lesson’ John Singer SARGENT 1911 Museum of Fine Arts, Boston Transparent and opaque watercolor over graphite, with wax resist, on paper 38.1 x 46.4 cm (15 x 18 1/4 in.) The Hayden Collection. Charles Henry Hayden Fund

‘The Artist Drawing, Seated Astride a Fallen Tree, with Another Figure Watching over his Shoulder’ Claude LORRAIN (1600_1682) Brown Wash over Black Chalk 213 x 319 mm The British Museum

 

‘Workshopper’ Jeanne DOBIE , AWS watercolour sketch quartersheet arches 140 gms collection of Elizabeth Fuller reproduced in ‘Making Color Sing’ by Jeanne DOBIE, Watson – Guptil, 1986

‘Adam Teaching, Painting Holidays au Chateau de Lanquais, 1999’
Jackie FREWING
oil & charcoal on gessoed card
A4 ©
‘Annabel Drawing’
Adam COPE
A5
Felt tip
pens 2007 ©
‘Painters in the Park’
Detail
quarter sheet watercolour 2008 ©
‘Students Painting in the Studio’
Chris SHARLAND
watercolour 2007 ©
Van Gogh Painting Sunflowers’
by Paul GAUGUIN
OIL ON CANVAS
73 X 93 CM
1888
Rijksmuseum Vincent Van Gogh, Amsterdam
‘Art Class at EL Tech’
Gillian Hill
1996
‘Vivienne at Lanquais’
Cathy Gatland
watercolour
40 x 25 cm
‘ Palette Layout Diagram – with Painters Tea-Break insert’
Cathy Gatland
A5 Sketchbook
‘Artist Sketching’
Vivienne
pencil in sketchbook
[vibert400.jpg]
J-G.VIBERT
‘The Delights of Art’
1896 engraving

 

Ed Terpening
“Sue”
12×9
Oil on Linen
‘Chez Caty’ aquarelle 24 x 32 cm © adam cope
‘Thierry painting on the Streets’ ink 15 x 24 cm © adam cope

Back from teaching two workshops. Ah me, blogging again? When I get out of bed… maybe…. & clear the decks in the office, family & garden. La Reprise.

‘Exhausted Tutor Syndrome’
A5 sketchbook
© the artist

Hope this post doesn’t sound too spammy self-promotional nor too much like me banging away.

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Here are a few of the images I made whilst teaching. They are demonstration pieces, intended to help the learning of students.

‘The Two Bridges at Limeuil’ Demonstration piece – two hours
28 x 38 cm
watercolour
© adam cope

Painters & Draughts-Persons

It’s also good fun to paint people painting & drawing. All levels of painters should try it, IMO. Here’s a watercolour that a student did in the studio during one of the Painting Holidays in France that I’ve lead over the years.

‘Students Painting’
Chris Sharland
© the artist
Personally, I would like my ‘painters & draughts-persons’ (the name I give to the paintings of this genre) to communicate something of the fun & ‘bonne ambiance’ of a successful painting trip.

‘Painters in the Park’
Demonstration Piece – one hour 15 mins
Watercolour.
28 x 38cm (15 x 11 inches).
© The Artist.
DETAIL : ‘Painters in the Park’
Demonstration Piece – one hour 15 mins
Watercolour.
28 x 38cm (15 x 11 inches).
© The Artist.

I was quite pleased with the above two figures. The watercolour is fresh & ‘just-so’, if I may say so, somewhat immodestly.

Lots of quick scribbles too. Of people moving about, painting & drawing. ‘Moving targets’. These sketches were done in less than five minutes each ‘take’.

‘Picnic People’
A5 Sketchbook
© The Artist.

‘Pat’
A5 sketchbook
© The Artist.


‘The Chairman’
A5 sketchbook
© the artist


‘Friends’
A5 sketchbook

©the artist

The above are demonstration pieces. Should one exhibit them? Learning is the desired product & not a finished painting.

The Educative Value of Demonstrations

I believe in the value of demos. True that they are only one teaching technique amongst many others. Sometimes the learning environment can get too wordy, so watching someone paint, seeing a painting unfold before your eyes can open up the non-verbal & encourage the natural.


WORK IN PROGRESS – unfinished state – two hours demonstration piece
‘A. & I. Painting’
Full Sheet Watercolour
56 x 76 cm (30″ x 22″)
© adam cope

Now please don’t get me wrong, I do know that the real goal is student-centered learning & not tutor showing-off. However, by seeing an experienced painter in action, who is also teaching & explaining – ‘sur la vif’ & in front of the subject – is something you won’t find neither on internet nor in a book. I myself have learnt so much this way ( & would be game to do so again).

Demos also quickly sort the chaff from the grain; if a teacher doesn’t have the years of painting experience integrated into his or her hands, his or her gestures, well then …. you should ask yourself just who do you have as tutor?

Here is some of what I have to say about the good uses of demonstration as a teaching/learning technique. I quote from my website What Makes a Good Painting Workshop Tutor? (hoping that this won’t trip a google duplicate content filter…nor sound too self-important nor spammy)

“A true teacher does not explain – he invites you to stand beside him and see for yourself.” Raymond Inmon

A good painting workshop tutor should also have a whiff of turpentine about him. Painting is first & foremost an activity & not a theory. It will help you if the art teacher is a practicing artist. On a practical level, you’re far more likely to have an exciting & educative learning experience from an experienced painter/teacher. The demonstrations will be more natural & the guidance more relevant because he/she has been there too. It takes many years for a teacher to become good at the art of demonstrations.

“A picture is worth a thousand words and watching a picture being painted is worth even more….The best teachers I’ve had show you rather than tell you how to do something. Talking the talk is far less important than walking the walk.” – Charles Sovek

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