Drawings of a Guitar Player
sanguine
A5 sketchbook
© The Artist.
sanguine
A5 sketchbook
© The Artist.
graphite
A5 sketchbook
© The Artist.
Living a Creative Life – The Importance of Significant Others
What we can can also learn is that it is up to us to reach towards multiple definitions of creativity and, in doing so, to rethink worn-out concepts of autonomy, compromise & success. It is not our intention to underestimate, or oversimplify, the exquisite complications of leading creative lives and living affective lives; nor do do we in any way mean to belittle the agonising lonliness of artistic & literary production. All of us involved in this book know the wrenching pain of sitting alone in front of a blank page or a blank canvas. But we also know that the story doesn’t end – or for that matter doesn’t begin – there.
– Whitney Chadwick and Isabelle de Courtivron, Introduction, ‘Significant Others – Creativity & Intimate partnership’ Thames & Hudson, 1996.
Lime Fresco Lime Fresco mounted on board
about 1994
about one meter
©
I meet him in Bath, UK about sixteen year ago. In 1995, he invited me down to his house in SW France for a season. We painted lots & lots. We also learnt so much of each other. Seeing him paint frescoes convinced me of:
- The importance of learning from an artist with more painting experience than oneself.
- Watching an artist paint (ie demonstrations).
- Dialoguing with other artists (whom you esteem) about your aims, hopes, beliefs & more concretely, about your upcoming painting projects.
- Having the courage to expose oneself to other artist’s opinions & feedback about your own paintings.
- Creative thought & vision. Art isn’t just about technique. It’s also about self-expression & can have a playful aspect.
Here’s a picture of him in his atelier. Observe the sand, the spade & the cement mixer!
And here’s his official press-photo, slaking lime putty in California. Again note the spade… and I thought I had a thing about brushes??? 😉
Inigo ROSE, fresco artist
Inigo Rose paints frescoes. Proper frescoes in lime, the same technique as used in the Quattrocento in Italy & South West France. Inigo learnt the techniques in Italy from whom he says is the greatest living master. Note that the are NOT acrylic nor emulsion.
approx 1,5 x 1,5 metres