Oil on Board
122 x 61 cm
Oil on board
122 x 62 cm (ex frame)
Both are large paintings that were slow to realise. Eight years doesn’t get me noticed in the ‘painting a day’ blog-roll of fame.
What I was saying about fast..slow..fast. They aren’t alla-prima plein-air small formats, nor are they spontaneous one-take watercolours done from direct observation. Rather they were made in the studio from imagination & memory & the odd sketch. They both needed a long ferment & much looking at before I could see what they needed. They are also products of doubt. I was engaged in much thought about the landscape & the functioning of an image in the viewer’s imagination. Lots of stuff which I forget now. Anyway, here they are together, documented, together as I meant them to be.
Last night I was referring back to a biography of Turner, where Turner himself is quoted :
larger and more liberal idea of nature from the comparatively narrow and
confined; namely that which addresses itself to the imagination from that
which is solely addressed to the Eye. “
Ahh me, these ideal landscapes, do they ever exist outside of our own personal mental maps of where Heaven & where Hell is found?
Anyway, the opposite is easily found on teh internet. Great numbers of “comparatively narrow and
confined” landscape paintings, where it is thought that just simply copying appearances is all taht is needed to make a good painting. Wrong view, IMO.
my visionary mode
BTW, I’m getting back into my visionary mode as I’m going to take part in a project to celebrate William Blake’s birthday. When the roof is fixed & the studio & office sorted out….